A Riveting Thriller. Author: Eric Kohn, Indiewire
Nail Biting. Almost Hitchcockian. Author: David Rooney, The Hollywood Reporter

American landscapes and narratives of the road are themes that run throughout KELLY REICHARDT’s (Co-Writer, Director, Editor) five feature films: RIVER OF GRASS (Strand Releasing, 1994), OLD JOY (Kino International, 2006), WENDY AND LUCY (Oscilloscope Pictures, 2008), MEEK’S CUTOFF (Oscilloscope Pictures, 2010) and NIGHT MOVES (2013); and the short narrative Ode (1999).

Grants: United States Artists Fellowship, Guggenheim Fellowship, Anonymous Was a Woman Award, Renew Media Fellowship.

Screenings: Whitney Biennial (2012), Film Forum, Cannes Film Festival in “un certain regard,” Venice International Film Festival, Sundance Film Festival, Berlin International Film Festival, Toronto International Film Festival, International Film Festival Rotterdam, BFI London Film Festival.

Retrospectives: Anthology Film Archives, Pacific Film Archive, Museum of the Moving Image, Walker Art Center, American Cinematheque Los Angeles.

She has taught at School of Visual Arts, Columbia University, New York University and is currently an artist-in-residence at Bard College.

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